and when lushlips love and pucker...
(an experimental e.e. cummings emulation, published in Gonzaga's Reflection in 2006 and in Portland State's Pathos in 2009)
and when lushlips love and pucker
against cheeks in the dark and
only speckles of luz
sprawl (cast on the wallsfacescarpet—plush)
and then globefingers clench,tingle upon
knees under shiny tabletops in coffee
joints (with canopies and ambience that i and you like)
when tiny glittereyes and giant oceaneyes
connect curious amongst oval
asheyes and under covers wrinkled-
warmth. (i make my resolution and you are resolved)
then her spider fingers claw crinkles in
your shirt and you let her ebony hair fan
across your face and make sounds in the muggy black
(and when you sprawl your spider fingers across my thigh
in the morning don’t ask me how i slept)
Crash
(published in Portland State's Pathos in 2008, ***edited out name for privacy purposes)
I remember.
Remember Independence Day, 1995?
Waiting for you, eating Grandma’s dumplings.
After work, you got your red fishing pole
And your nightcrawlers and took that snakey road, leading nowhere.
Then your Jeep did somersaults, dirt and sky juxtaposed like a painting.
Back at home, a hungry monster ate my nervous insides,
And the firecrackers were like bombs of war.
Your Jeep was a giant pretzel.
And you didn’t call.
I remember.
I stared.
Stared at the wall,
Shredding every fiber of every fingernail.
After hanging upside-down from the seat belt,
You scaled your Jeep and punched numbers with bleeding digits.
Then Uncle *** answered, and his voice cracked open like an egg.
He was gone for hours, looking for your hidden ditch.
Finally, you saw two spheres of rescue light
And arrived, coated in glass bits.
A walking, breathing mosaic.
I stared.
I knew.
Knew there was more
Than a negligent hit-and-run.
Your eyes met the carpet in guilty brainstorm,
And the fiery flush of your face was guilty, too.
You were fishing for a holiday trout to bring for Grandma’s dinner,
But the road was winding and the sky was dark,
And you saw firecrackers like bombs of war.
But I could smell your breath.
And while you slept,
I knew.
in the passenger seat
(published in Portland State's Pathos in 2009)
i could see the contrast of two shades of skin in
the side view mirror that reflected movement in
the backseat, and i wondered. . .
. . .where does one find a warm lap to lay on and
eyelashes to blink against
i allowed myself to lower my seat and drift off
to the rhythmic static pings of shoegazing guitars
and xylophones, and i questioned
the effect of music on the soul and how it sings
loudly to some and whispers to the rest
i awoke to the thin edge of the seatbelt bisecting
my nose, and my eyelids spread to reveal tattered
evergreens, giving me a sensation
of tranquility and eerie euphoria because the sun
still shone and its rays sparkled through these
last pillars of nature
the girl in the driver’s seat said they were ugly, unscenic
i remembered she called the swallowing buildings and
people with shapeless eyes and mouths
home.
Copper Man
(little high school photography class emulsion lift, published in Gonzaga's Reflection in 2007)
